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poetry column

Revolt against aberration

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By Abdulmueed Balogun Adewale
(For Shabina Feisal)

Take this tawdry dunya
by the edge, like the frail wings
of a moth, with the tips of your fingers.

Take life as a staged melodrama
full of cameos, seasons
of plots and tons of twists.

Take every step as if pacing
the palms of a slippery road gravid
with thorns and ancient brambles.

Take your aching soul out of your body
everyday on your prayer mat,
before the sun draws its first breath,

Bare your worries before Allah,
he shall handpick the gritty grains of sadness,
darkness ingrained on the walls

of your mind, deposited on the wooden
ledge of your soul by the murky
procession of life’s swift caravan.

Take yourself as the victim, habibi,
forgive the bullet, the trigger
and triggerer.

Take everyday, beloved, as a journey
towards selfhood, towards light that
won’t flicker before the storm of life.

BIO:
Abdulmueed Balogun Adewale is a black poet and an undergrad at the University of Ibadan. He’s a Pushcart prize and BOTN Nominee. A 2021 HUES Foundation Scholar and a poetry editor at The Global Youth Review. He prays silently in his heart, that his verses outlive him. He was a finalist in the 2021 Wingless Dreamer Book of Black Poetry Contest, Winner 2021 Annual Kreative Diadem Poetry Contest. His poems have been published in: Brittle Paper, Soundings East Magazine, ROOM, Watershed Review, Decolonial Passage, The Westchester Review, The Oakland Arts Review, Subnivean Magazine, Short Vine and elsewhere. He tweets from: AbdmueedA

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NDLEA collaborates with BUA Cement to combat drug abuse among workers

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The National Drugs Law Enforcement Agency (NDLEA) has initiated a collaborative effort with BUA Cement to implement regular drug tests for drivers and other employees of the company, aiming to ensure they remain free from illicit substances.

Mr. Adamu Iro, the NDLEA Commandant in Sokoto State, disclosed this during a sensitization lecture jointly organized by NDLEA and BUA Cement for the company’s workers in Sokoto. Iro emphasized that this initiative would play a crucial role in safeguarding lives and commended BUA Cement for its commitment to this partnership.

Highlighting the importance of the initiative, Iro noted the alarming trend of some drivers engaging in the illegal use of substances, posing significant risks to their health and overall well-being. He expressed concern that drug abuse has unfortunately become a normalized lifestyle for many Nigerians, leading to an increase in criminal activities among drug-dependent individuals.

Iro underscored the correlation between drug abuse and the prevalent crimes in the nation, emphasizing that drivers under the influence of drugs pose serious threats to public safety through road accidents.

Mrs. Ramatu Sani, the Head of Training at BUA Cement, expressed gratitude to NDLEA for their support in promoting the well-being of workers and enhancing productivity within the company. She emphasized the significance of the sensitization program in fostering a healthy work environment and sustaining the partnership between NDLEA and BUA Cement.

Mr. Ibrahim Bande, the Head of Transport at BUA Cement, urged workers to heed the lectures and abstain from all forms of drug abuse, emphasizing its detrimental effects on personal development and societal well-being. He cautioned drivers against operating under the influence of drugs, emphasizing the importance of upholding the company’s integrity and ensuring road safety.

The event included a drama presentation highlighting the dangers of drug abuse and recognized staff members who have contributed to the fight against drug abuse within the company. Additionally, a road walk was organized within the community to raise awareness among residents about the hazards of drug abuse and its associated consequences.

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poetry column

Lances at the hedges of light

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By Samuel A. Betiku

With Nigeria’s economy and poverty levels worsening, abductions have become an almost daily occurrence in recent years — Reuters

Until now, you savoured the world in packets of myth, moon-
lit frolic and a cot where the soft ripple of praise succeeds the rooster’s
call and the amber flush of afterglow. What did you know of a country
flailing outside the stained glasses of your eyes, eyes your mother looked into
to relearn the curves of a hymn: what did you know of being a prey
or of a complicit knot of trees and underbrush lining a dire trail,
blanketing the gleam of tomorrow. You watch your friends trudge on,
each laboured step a prayer no one dares to say out loud. When you open
your mouths, it is to let out a wisp of stifled cry, to risk the gruff nudge
of a gun. At the end of the road, your plundered selves waiting, inescapable.
What can you give to stay a haloed house? You look down at your feet
crusted with crimson and grit and imagine your mother sitting outside
the shed, the quiet sob of petition, the drooped heft of her brow, barely able
to stare at a sky spangled with lights closer to home than her daughter.

BIO:
Samuel A. Betiku is a Nigerian writer from the city of Ondo, South West Nigeria. His works have appeared in journals and anthologies, including Rattle, The Offing, Frontier poetry, The Temz Review, Trampset, The Christian Century, Strange Horizons, Agbowó, The Deadlands, and elsewhere.

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poetry column

The Knowledge

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By Kei Vough Korede

In a dream, two bars of soap
Were handed to me—
One containing melancholy.
The other, mirth.
A voice instructed me to give
The former to my father and keep
The latter for myself.
I broke each bar into half
And handed a half of each soap to my father:
His pain is my pain. My joy is his joy.

BIO:
Kei Vough Korede, he/they, poet, fashion and mustache enthusiast. He works on his manuscript Oral History. Flirt with him on Twitter @theDilatedSoul

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