Preserving Nigeria’s artistic legacies
The preservation of Nigerian art, in all its forms, is not just a matter of preserving aesthetic beauty but a vital undertaking to protect cultural identity, environmental resources, and the link between generations. From the intricate beadwork of the Yoruba people to the vivid landscapes in traditional painting, Nigeria’s art holds within it the stories, wisdom, and creativity of its people. However, as contemporary issues such as deforestation, urbanisation, and inadequate infrastructure threaten the very fabric of this heritage, it is imperative that both the government and private sector take more deliberate steps to protect these cultural treasures
In recent years, art preservation in Nigeria has been increasingly recognised as essential to safeguarding not only the traditions that define the country’s rich cultural history but also the livelihood of artists who rely on the continuity of these traditions. Yet, despite growing awareness, significant gaps remain in ensuring that Nigerian art, both ancient and contemporary, is preserved for future generations. Key issues such as the loss of traditional materials, inadequate archiving, and the lack of a robust support system for artists hinder the continuity of Nigerian art forms.
A prime example of the challenge facing Nigerian artists is the loss of traditional art forms such as thorn carving, an ancient practice that dates back to the 1930s. The endangered craft, once celebrated for its intricate artistry, has almost disappeared due to deforestation and the lack of protective measures for the thorn trees from which the art was made. As urbanisation encroaches on natural landscapes and unsustainable logging practices persist, entire artistic traditions face extinction. This is not an isolated case—many other Nigerian art forms are at risk as a result of neglect and the degradation of the very materials artists rely on. Thorn carving, for instance, while recently resurrected through projects like the L’Extinction artwork unveiled by Queen Aderonke Ademiluyi-Ogunwusi, remains vulnerable without consistent efforts to preserve the trees and craft.
While some institutions and individuals have stepped forward to safeguard Nigerian art, much more needs to be done. The Nigerian government has taken strides towards preserving art through initiatives such as the National Commission for Museums and Monuments (NCMM) and the Nigerian National Museum, which house invaluable collections of Nigeria’s cultural and historical artefacts. However, these efforts are often hampered by inadequate funding, insufficient training for museum staff, and a lack of modern archiving technology. Without proper archiving and preservation methods, future generations of artists and scholars will be cut off from the knowledge and foundations laid by their predecessors. The loss of physical records, such as sketches, blueprints, and materials, leaves artists isolated from the creative methods of those who came before them, diminishing the connection between Nigeria’s vibrant past and its future potential.
Private sector players such as Nike Art Gallery in Lagos, run by the renowned artist Nike Okundaye, have also contributed significantly to the preservation of Nigerian art and culture. Nike Art Gallery, one of the largest in West Africa, is a hub for the preservation of traditional Yoruba textile arts, beadwork, and painting. Through her work, Nike Okundaye has not only provided a platform for contemporary artists but has also created an archive of traditional African art forms. This gallery stands as a beacon of commitment to the conservation of indigenous crafts, where each piece tells the story of Nigeria’s diverse ethnic groups and rich cultural heritage. Moreover, many private collectors, often in collaboration with artists, are working towards the protection and appreciation of Nigerian art, though challenges of infrastructure and logistics persist.
Despite these efforts, there is still much that can be done by both the government and private entities. One crucial step is the development of national policies that prioritise the archiving and preservation of art forms across Nigeria. This should include the creation of digital archives for art, with proper training for artists in archiving methods, as well as investment in the preservation of materials essential to the creation of traditional arts. For instance, a dedicated national fund for the conservation of endangered art forms could help foster innovation while protecting Nigeria’s artistic heritage. Furthermore, initiatives like the National Endowment for the Arts, which provide grants and resources for artists, could be adapted to suit Nigeria’s specific cultural needs, enabling artists to sustain their craft in the face of environmental and economic challenges.
There is also a pressing need for educational programmes that focus on the importance of art preservation. In schools, universities, and art institutions across the country, students and emerging artists should be taught about the historical significance of Nigerian art, the techniques used in traditional art forms, and the importance of sustainability in artistic practices. Through these efforts, a new generation of artists can be equipped with both the knowledge and tools to carry forward Nigeria’s rich artistic legacy.
Finally, there must be a broader recognition of the role that art plays in the nation’s development. The Nigerian government, through its Ministry of Information and Culture, should provide more support for the arts sector, not just as an avenue for cultural expression but as a contributor to the country’s economy and global recognition. Art forms like music, theatre, and visual art have long been major drivers of tourism, and with a concerted effort to preserve these forms, Nigeria has the potential to build a vibrant, sustainable art economy.
The unfortunate truth is that many of Nigeria’s art forms are at risk of disappearing unless urgent and deliberate action is taken. The loss of archiving, the destruction of key materials, and the absence of sufficient governmental and institutional support have left Nigerian artists grappling with the challenge of preserving their craft. However, this is not an insurmountable problem. With the right investments in education, infrastructure, and policy, Nigeria can lead the way in art preservation, showcasing the rich cultural diversity that has long been a hallmark of its society.
The unveiling of the L’Extinction artwork at the Aje Festival worth N14 billion, serves as a powerful reminder of what is at stake. It is not just an opportunity to appreciate a unique form of art but also an invitation to all Nigerians—government, private sector, and individuals—to take responsibility for preserving the cultural treasures that have defined our history. We must act now to ensure that the artistic legacy of our ancestors continues to inspire and shape the future of our nation. The call to preserve Nigerian art is a call to honour our past, our environment, and the generations to come. It is time to invest in this precious heritage, not only for its aesthetic value but for the cultural and environmental benefits it holds for the entire nation.
